Our first exhibit opened on May 2nd.
I have always liked May.
The exhibit, entitled Every Day is Earth Day allows us to see the world through the eyes of seven members of the Imperial Valley College Arts Faculty. We marked the occasion with a celebration of art and film that continued all evening.
Earlier in the month, we held a preview of the event for the Friends of the Museum, a support group of members who have made a commitment to support the museum with a gift of $500 every year for the next five years. Lauryl Driscoll, who attended both events, commented that her parents had worked for more than 30 years to see this museum get built, “and it is great to see it finally happen.”
“I like the idea of having a new cultural institution that will support the arts,” said Bernardo Olmedo, who was instrumental in organizing the exhibit. Carol Hegarty, the Head of the Humanities Department at IVC, agreed, “It takes everyone working together in a community for local arts to be successful. It is not about competition, it is about partnership.” As I said when I opened the event that evening, I am realizing that much of what the Valley has to offer is under-appreciated and the Desert Museum can help highlight this spectacular community.
The evening continued with a screening from the Film Forward program. This international program from the Sundance Institute brought two independent films to the Imperial Valley with the film directors. Here at the Museum, we screened Bran Nue Dae – my absolutely favorite Australian film. Director Rachel Perkins captivated the audience and demonstrated, as I’d been promoting for months now, that this was not an event to be missed.
We had an intimate group of 30, a solid turn out for a weekend event 25 miles outside of town. And now they are 30 people who now understand my adoration for this quirky little film. They join the 8 million people in Australia who have viewed the film – a huge number for a country with a population of only 2 million. Many attendees commented that the film was funnier than they thought it would be and the director explained that this film is one of only 3 Aboriginal comedies – and she has produced two of them. Usually, she said, films about Aboriginal people are somber and serious and she deliberately made a film that people could see themselves reflected in and laugh. People asked about the lack of dreaming references (though someone else said the jail scene with traditional dancing – ie dreaming – was the best in the movie). Rachel explained that this film was not a vehicle for that aspect. It’s one of the things I’ve always loved about this film. It’s irreverent and zany, reaches all audiences, and captures the contemporary spirit of Australians today.
The night overall successfully stimulated conversation on the commonalities and differences between cultures, cultural expression through art, and the charming grace of passionate communities.
This morning the last Film Forward event was an informal chat with the directors. I went with an aspiring young film maker who is now so excited I have to go out and find film editing software so he can make movies in the Museum’s technology lab. As we left the event, I was incredibly loathed to leave. “Did you ever imaging that when you came here and made us watch Bran Nue Dae that you’d be having a casual cup of coffee with the Director?” Never in my wildest. But I should know better than to be surprised. Australia is the biggest small town there is.